PDF Download Impossible Owls: Essays, by Brian Phillips
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Impossible Owls: Essays, by Brian Phillips
PDF Download Impossible Owls: Essays, by Brian Phillips
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Review
"An absolute blast . . . [Phillips] is able to navigate extraordinary circumstances with curiosity, playfulness, and humility, and his enthusiasm is best seen in his extensive research within these communities and their histories. And this is why I couldn't get enough of this book: Phillips is the perfect adventure guide ― down for anything, talented enough to translate the experience." --Arianna Rebolini, Buzzfeed (Best Books of Fall 2018)"Brian Phillips has a wonderful way of taking readers to entirely unfamiliar places in nature (the Yukon) and in culture (sumo wrestling), and translating those experiences into something that feels visceral, even for people who are stuck at their computers all day. Believe the John Jeremiah Sullivan comparisons and get lost in this captivating essay collection, which brings to life both the extraordinary and the mundane." --Maris Kreizman, Vulture"As a journalist, Brian Phillips is willing to fall down a rabbit hole to uncover a mosaic of detail within a particular subject. This collection of essays presents some of his greatest examinations into the odd and intriguing . . . Philips takes readers down unexpected paths that are as world-expanding as they are entertaining." --Wilder Davies, TIME"Brian Phillips has a way of making you care about the things he cares about in the way he cares about them, which is passionately, almost obsessively . . . The essays are invigorating and muscular; the perspective is enthusiastic and vital; the book is a must-get." --R. Eric Thomas, Elle (Best Books of 2018)"Phillips is a long-form journalist of the old school, a deep research artist, and a killer stylist. His digressive and frequently hilarious explorations . . . ecall the work of John Jeremiah Sullivan and the late David Foster Wallace, with a dash of Janet Malcolm. Impossible Owls is an absorbing and totally distinctive exploration of wildly disparate corners of our world." --Taylor Antrim, Vogue "[Brian Phillips's] keen eye is absolutely integral to his work, as is his presence in each piece. But he remains the narrator, the observer, he turns his investigations outward rather than inward; he never becomes the subject. Instead, he leads us into the hearts and minds of others, and in doing so, opens portals to times, places and lives outside both our and his first-hand experiences . . . One of the delights of this collection is Phillips’s ability to make the unknown familiar and the unfamiliar known . . . Impossible Owls is layered, narratively organised and analytical on a diverse, often unexpected range of subjects." --Lucy Scholes, The National"Brian Phillips’s essays are out of this world: big-hearted, exhaustive, unrelentingly curious, and goddamned fun. It’s about time he graced us with this collection." --Nick Moran, The Millions"[Phillips] has now established himself as a master of long form reporting that is indistinguishable from the literary essay, through which he bares witness to our contemporary moment." --Los Angeles Review of Books"Eclectic and witty." --Pop Sugar"[Phillips's] stories feel boyish in the best sense: fresh-faced and adventuresome, casually funny or lyrical as the moment demands." --Harvard Magazine"Enthralling nonfiction . . . What holds these styles together is Phillips's smart, readable prose as well his obsession with all things alien―the foreign, the puzzling, and the paranormal." --Max McKenna, PopMatters“Again and again, Impossible Owls proves that Brian Phillips is a cultural codebreaker of the highest order, unlocking the hidden systems of our mad world. Hilarious, nimble, and thoroughly illuminating.†―Colson Whitehead, author of The Underground Railroad "Long-form narratives both diverting and engaging . . . [Phillips's] keen sensitivities color each scene, and he rarely hides his feelings about the figures he meets. Phillips has fashioned a calling for himself as an American flâneur, casting out into post-colonial frontiers and marveling at the oddities he encounters from the comfortable distance of unsupervised creative prose . . . [Full of] genuine insight the author dredges up from his experiences as well as the sense of a full human mind at large in the world that so many of his recollections approximate." ―Kirkus (starred review)"When Phillips, a jazzy John McPhee, ventures out into the world in pursuit of understanding of a place, mystery, vocation, or obsession, he is attention incarnate. The resulting prismatic descriptions power his vibrant, multidimensional essays, which are built on rich veins of research and further enlivened with crisply recounted conversations and convivially self-deprecating glimpses into his state of mind." ―Booklist“There is a section in Impossible Owls where Brian Phillips writes about tigers, and he notes that what's most astonishing about the animal is not its size or power or beauty, but its capacity to disappear. This is an excellent description of a tiger, but also an excellent description of how Phillips writes. These are big, powerful, beautiful essays―but no matter how personal the content, he just seems to disappear into the paragraphs.†―Chuck Klosterman, author of But What if We’re Wrong? and Eating the Dinosaur“I most love Impossible Owls for how it sends me returning to the central question that I enjoy most in any work I find chasing after: what do we, as writers, owe a single idea, but to stretch it out beyond whatever our imaginations thought possible? I love that this is a book of highways and historical touchstones and large geographic shifts. But I also love that at the heart of those bigger things, there is the gentle touch of Brian Phillips underneath it all, creating a landscape for a reader to see not his work, but to better see themselves.†―Hanif Abdurraqib, author of They Can’t Kill Us Until They Kill Us“Impossible Owls takes you deep into worlds both far-flung and familiar ― tiger trails, tiny towns of the Yukon, Route 66, a Walmart parking lot. Brian Phillips riffs and reports with abiding curiosity and incisive humor. A fantastic, transporting read.†―Jessica Hopper, author of The First Collection of Criticism by a Living Female Rock Critic“The journeys that make up Impossible Owls lead us to some remarkable, unpredictable places, from the Alaskan wilderness to a supermarket parking lot in southern Japan, from an old movie palace in Moscow to the underground histories of northern Oklahoma. But these far-flung tales all share the same inspirational spark: Brian Phillips' soulful, intrepid spirit, and his masterful ability at turning everyday curiosities into epic quests that you can't stop reading.†―Hua Hsu, author of A Floating Chinaman: Fantasy and Failure Across the Pacific“Brian Phillips's Impossible Owls takes the American essay in new direction― these narratives are simultaneously stories of questing and strandedness. Characters and landscapes become knowable and disorienting. Tigers, royals, mysterious Russian artists and foreign countries are subjects of Phillips's close, careful journalism, as well as representatives of all the glittering, un-graspable things that lie outside us. Witty, pensive, sometimes whimsical, always truthful, Impossible Owls is testament to Phillips's gift for enchantment, and his genius for knowing exactly where our alienation from the world meets our sympathy for it.†― Supriya Nair "Entertaining, eclectic, and often insightful . . . Phillips’s narrative voice is consistently appealing, and often laugh-out-loud funny . . . Phillips’s essays leave readers with newfound appreciation for subjects they may not have considered before." ―Publishers Weekly"This eclectic collection from journalist Phillips combines in-depth reporting with personal histories to explore broadly the contemporary human condition . . . The subjects have broad appeal and would be enjoyed by anyone interested in New Journalism as a literary genre. Phillips's essays are not only fascinating and thoroughly researched but written in a distinctive voice that conveys humor, awareness, and vulnerability." ―Library Journal
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About the Author
Brian Phillips is a former staff writer for Grantland and a former senior writer for MTV News. He has written for The New York Times Magazine, The New Yorker, and Slate, among other publications, and his work has appeared in Best American Sports Writing and Best American Magazine Writing. He lives in central Pennsylvania. Impossible Owls is his first book.
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Product details
Paperback: 352 pages
Publisher: FSG Originals (October 2, 2018)
Language: English
ISBN-10: 9780374175337
ISBN-13: 978-0374175337
ASIN: 0374175330
Product Dimensions:
5.1 x 0.9 x 7.5 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.9 out of 5 stars
92 customer reviews
Amazon Best Sellers Rank:
#26,841 in Books (See Top 100 in Books)
Brian Phillips has the two qualities I adore in a writer: (1) he consistently crystallizes ideas or experiences that I have had in ways that I cannot, and (2) then builds upon those concepts with insights that I immediately understand but would never have identified myself. You know that writing is good when you regularly put down the book just to soak in the last few sentences. That he is also empathetic, humble, and witty is merely a bonus. Buy it, read it, then give it away.
Brian Phillips, of Grantland and MTV News fame (he seems to kill good websites), is a sensational essayist, and the essays in this book point to perhaps his greatest strength: his ability to access truths about human nature via almost any subject (go back and read his essays about Oklahoma State football and a Chthulu-esque monstrosity on Grantland if you need more proof than this book provides). I always learn something from his essays, both about the topic (tigers, Russian animation, sumo) and, more importantly, about myself, as filtered through a mind that makes me feel like the best version of that self. I've been waiting for years for this book and I am so, so glad it's here. You'll love it too, I'm certain.
This is my first online review of anything, ever, so hopefully that says something about Brian’s writing. I don’t enjoy much nonfiction but have compulsively followed Brian’s work since the Grantland days. I pre-ordered four copies of this book and am literally handing them out to friends because I love his essays that much. I’ve read about half of this collection previously and not only do I vividly remember them, but will be happily rereading each piece. I called a friend last night and while raving about a particular paragraph structure from his piece on the Iditarod, she made me read it aloud, and I did, and she promptly bought the book. I would buy thirty more copies if it meant he got to write another one. I cannot articulate sufficient praise on his stories. Buy this.
I picked this book up based on two things: I have a weakness for essays on seemingly random things and I loved the book cover when it popped up in my Amazon recommendations. I was not disappointed.The writing is really well done and the stories that I felt would not be that interesting I ended up enjoying the most (the one comparing Queen Elizabeth and Kate Middleton, Science Fiction in Small Towns, and Not Your Typical Love Story). Honestly everything in it was worth reading, though I did not enjoy The Little Gray Wolf Will Come as much as the others. Read much more slowly and found the others more interesting.If you like Chuck Klosterman, you will enjoy this book. Highly Recommended
He would disparage the narrowness of this statement (because, among his many qualities, Brian is one of the most humble, open-minded, and generous writers that I know, a vocal and enthusiastic champion of many others' work), but Brian Phillips is one of maybe five living writers whose work justifies living through this moment. Each piece from him is a gift, a dispatch from the home that modern life is continuously foreclosing on and repossessing from me, a dispatch from the place where my emotions were mine, mattered, and made some kind of sense. “Art washes away from the soul the dust of everyday life", Pablo Picasso is said to have said. That dust has become a rubble. At its best, Brian's work is a veritable baptism for my damaged, damaged, late-modern-capitalist-imperial-fragmented-digital-apocalyptic sense of myself.When he was at Grantland, every Friday was an appointment. When they shut it down, we all lost a murderer's row of talent, his was the voice I missed the most. I found myself logging on to its valiant but much-diminished successor, The Ringer, every week, like some sad graying patron continuing to show up at the bar where he once met and lost his first love, every day hoping that Brian would walk through that door.Buy this book. His combination of curiosity, humility, enthusiasm, insight, lyricism, wonder, and flat-out talent will not dissapoint.
Brian Phillips is new to me. I ordered the book only because the epigraph quotes Margaret Lanterman (which set up an expectation about Twin Peaks that wasn't satisfied by a mention of owls in each essay). I loved parts of it but not the whole. Unfortunately the best essay is first -- "Out in the Great Alone," centered around the Iditarod --so it's downhill from there. My next favorite was "Man-Eaters," on tigers in India, and it is luminous and so atmospheric it cast a spell on me. The rest are uneven as a whole, but there are places in each of them when this phrase or that sentence or those paragraphs surprise, delight, intrigue. Phillips has an eye for the unexpected detail and the gift of chasing terrific tangents. Each of these essays has something that makes it worthwhile. I will definitely read his next book.
Brian Phillips barely believes anything. He writes about tigers and tennis and sumo wrestlers, Prince and rodeos and sled dog races and Phillips can hardly begin to believe what he’s seeing. He takes himself to the farthest places (Alaska, The Jungle, Vegas) to interact with people and things on the most distant edge of certainty. Lost there, he reports back his findings.Phillips drives himself into the space where things are so real, so undeniable (Cold, Tigers, Vegas), there’s a reasonable chance they're not actually happening. He pushes and pushes on this doubt via prose and wit and punctuation so staggeringly beautiful, conclusions on reported events become irrelevant.It’s a kind of writing that’s so good, applying its effects to everyday experiences makes the mundane, exquisite. Do it up!
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